This is all, of course, in addition to the new Pride mode, which not only brings a selection of fighters from the Pride tournament into the mix (as well as some older versions of UFC favorites who got their start in the Japanese production), but changes the ruleset to disable elbows while allowing knees, kicks, and stomps to the head of a downed opponent. A "simulation" mode is available that increases the damage fighters take as well as the stamina they expend while fighting. In addition to weight classes and number of rounds, players can now choose to play under rulesets that equalize fighters' stats, making matches purely technique based, and turn off semi-random events like doctor stoppages and flash knockouts.
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It's a little cheesy looking, but a much fairer system than the stick wiggling of 2010 or the broken button mashing of 2009.ĭozens of smaller changes pepper the fighting as well, from cage-based transitions to back-transitions and both body and leg knockouts (players can turn on a full HUD that shows fighter stamina and "paper dolls" that indicate damage to fighters' body parts), and leg check TKOs are a possibility. The attacker wants these bars to overlap until his opponent is submitted, while the defender attempts to escape. Instead, the only required HUD element of the game shows up-an octagon on which the two players control a pair of colored bars. Submissions have changed significantly, no longer relying on stick wiggling. Further, ground swaying allows one to avoid match-ending blows an opponent can throw from the top, and those on the bottom can catch a punch from a posturing opponent to either pull them in or perform a submission. With the traditional control scheme, though, transitions can now be feinted by simply not completing them, opening up another element of strategy to players willing to stick it out with the somewhat ambiguous, original controls. The new feinting mechanic piles on another layer of strategy (and players can feint more than just strikes), but it feels a bit awkward to activate, requiring both right shoulder buttons to be held down while performing the desired feint.įor grappling, there's now an "amateur" control option for transitions, allowing players to attempt a minor or major transition with a mere flick of the right stick instead of having to swing it in an arc. All of this comes together to take the striking emphasis off of powerful haymakers and transfer it to jabs and combinations. Heavier blows can also be interrupted by basic jabs, quick strikes landing first, and throwing off a cross' or hook's trajectory. Players can now catch incoming attacks, transitioning into either a clinch, a takedown, or a strike, depending on what blow is countered, and low kicks can be "checked" using the same mechanic. Sways aren't one's only means of defense against powerful head blows anymore, though. Even sways feel more "on point" as one snaps back just out of reach of the opponent's arm. In Undisputed 3, matches feel more action-packed and hits are more visceral-especially in the new Pride mode. Previous Undisputed titles were plodding affairs, with strikes that often lacked impact due to the leisurely pace with which they flew forth. The animations were the first thing that struck me: faster, sharper, but somehow more natural than before. I was only with the game for a few hours, so it's impossible to say if this polish carries through the entire experience, but what I saw almost immediately struck a positive chord with me. UFC Undisputed 3 throws in a wealth of new features and overhauls the basic gameplay in ways that don't entirely undermine what was there before, instead refining and refocusing it. Perhaps I wasn't the only one less-than-enthused by the Undisputed series' second outing.
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It spoke to me, however, that THQ gave its potentially annual series the year off in 2011, forgoing a yearly entry for a two-year development cycle. To be fair, that's how most sports games feel for me: exercises in abstract control.
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Improvement was a frustrating exercise in trial and error, and rapidly mashing ambiguous inputs were met with uncertain, if any, effect. It was certainly a serviceable MMA game, but the systems at work behind the scenes were obtuse and unclear. Maybe it puts me in the minority, but I didn't like UFC Undisputed 2010.
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